Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] price

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made out of the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for your unrest? Katniss. And what's worse, President Snow has caused it to be clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not the people of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises being one with the most mentioned books from the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from your start that The Hunger Games story was intended like a trilogy. Did it really end just how you planned it in the beginning?

A: Very much so. While I did not know every detail, of course, the arc of the story from gladiator game, to revolution, to war, on the eventual outcome remained constant through the writing process.

Q: We understand you worked on the initial screenplay for the film to become according to The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There was several significant differences. Time, for starters. When you discover yourself adapting a novel in a two-hour movie you simply can't take everything with you. The story has being condensed to suit the newest form. Then there's the question of methods best to take the sunday paper told within the first person and offer tense and transform it into a satisfying dramatic experience. In the novel, you never leave Katniss to get a second and therefore are privy to any or all of her thoughts so you need a way to dramatize her inner world and to create it possible for other characters to exist outside of her company. Finally, there is the challenge of the way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A large amount of things are acceptable on the page that would not be on a screen. But how certain moments are depicted may ultimately be inside the director's hands.

Q: Do you think you're capable to consider future projects while working on The Hunger Games, or are you immersed inside world you might be currently creating so fully that it is just too challenging to consider new ideas?

A: I've a few seeds of ideas going swimming in my head but--given that much of my focus remains on The Hunger Games--it will likely be awhile before one fully emerges and i also can start to develop it.

Q: The Hunger Games is an annual televised event by which one boy and one girl from each in the twelve districts is made to participate in a fight-to-the-death on live TV. Exactly what do you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often set up as games and, like sporting events, there's an curiosity about seeing who wins. The contestants are often unknown, which means they are relatable. Sometimes they've got very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or delivered to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, to ensure that whenever they see real tragedy playing out on, say, the news, this doesn't happen have the impact it should.

Q: Should you were forced to compete inside Hunger Games, what can you think your special skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope could be to have hold of an rapier if there were one available. But reality is I'd probably get with relation to a four in Training.

Q: What would you hope readers can come away with after they read The Hunger Games trilogy?

A: Questions about how exactly elements with the books could possibly be relevant inside their own lives. And, if they are disturbing, the things they might do about them.

Q: What were some of your respective favorite novels when you were a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but now it really is for world control. While it is often a clever twist on the original plot, it indicates that there is certainly less focus on the individual characters plus much more on political intrigue and large scale destruction. That said, Carolyn McCormick continues to breathe life into a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and also at her very own motives and choices. This is surely an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels as well as the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are very evidenced in his voice, which goes from rage to puzzlement to an unsure go back to sweetness. McCormick also helps to make the secondary characters—some malevolent, others benevolent, and lots of confused—very real with distinct voices and agendas/concerns. She acts as an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and unique challenges of each with the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.